Tag Archives: Jolene Owen

Laura E Williams– Writer

What made you want to write for children?

As a child I was an avid reader.  I read everything from comic books to Nancy Drew to books like Charlotte’s Web and The Outsiders.  I’m still an avid reader, and I still love children’s literature.  In fact, I think some of the best writing being published is coming from children’s book authors!  I do think of writing books for adults, but my ideas always seem to come to me as books for kids.  Maybe it’s because I work with kids as a high school English teacher.  Maybe it’s because I remember being a kid and how hard it was.  Whatever the reason, I am proud to be a children’s book author!
What were your first steps ?  

The very first step to becoming a writer is being a reader.  Next, writing a first draft helps a lot!  It’s also one of the hardest steps.  In fact, I much prefer REwriting to writing that first draft.  I actually LOVE rewriting – adore it, it’s the best!  But that first draft is killer!  Then, after the first draft and multiple rewrites, it’s time to submit the story to publishers.  That’s when the rejections start rolling in.  Finally an acceptance comes along, and all that hard work is suddenly worth it!  There is nothing like getting published after all that writing and rewriting – well, maybe a big scoop of mint chocolate chip icecream on a sugar cone is close, but not quite!

What was the first book you ever published?

My first picture book was THE LONG SILK STRAND, which was published by Boyds Mills Press in 1995.  My first middle grade novel was BEHIND THE BEDROOM WALL, published by Milkweed Editions.   Imagine a girl during WWII who loves Hitler who finds out her parents are hiding a Jewish family behind her bedroom wall!  This novel is still selling strong – and the musical version of it just premiered this past spring.

What kind of stories do you think children relate to most?

Children relate to stories that don’t preach or talk down to them.  No one wants to be hit over the head with a lesson or a moral.  At least I didn’t when I was a kid.  I wanted entertainment and escape from everything.  Children look for a main character they can relate to, like a character who could be a friend.

How can we find out more about your work?

A good way to find out about me is to Google my name: “Laura E. Williams”  When you Google a name, be sure to put it in parenthesis as I just did above.  You could also check out my website at www.readlauraewilliams.com. Hopefully it’ll be up and running by this summer!

What inspired you to write BIBIM BAP FOR DINNER?

Bibim Bap is a Korean dish that I learned about when I went to Korea several years ago.  I was actually born in Seoul Korea and adopted when I was 1 1/2 years old.  I don’t remember anything from when I was an infant.  But when one of my former students was there teaching English, I jumped at the chance to visit her.  In my time there, I grew to love Korean cuisine.  When Bebop Books asked for proposals for books, I thought about having a kid making a traditional Korean dish.  Bibim Bap is easy to make and fun to eat.


Tina Karle– Writer

What made you want to publish hiking books?

I wanted to share the beauty of waterfalls that the state of Ohio has to offer, for everyone to enjoy!

Any lessons learned on your writer’s journey?

There are many lessons I’ve learned along my journey of writing. For one the way sentences are worded plays a key part in sentence structure, along with learning the rules of punctuation all over again! Also, that not everyone, takes kindly to certain phrases that have been listed in my books.

How often will you revise and re-write your work?

For the current hiking book, I am working on, I am up to my fourth revision and corrections for said book. I will keep working on it, and letting people peruse the book, to gain their insight, before it is published.

When is the best time to go hiking?

Pretty much anytime is fine to go hiking. It just depends on what you are going to see and if you wish to tolerate the current weather condition. For my book, I list the best seasons to go and visit the falls. Also spring is usually the best time to go as the weather is more comfortable and water flow for the falls are at their best!

How many pictures will you take on one hike?

When I go out on a phot shoot, I take anywhere from 50 to 400 pictures depending on what my agenda is for the day. If I am out on an all day hike I can take anywhere of over 1000 shots. Those have to be sorted through and only 3 or 4 of those pictures will make it into the book. For my current hiking book that I am working on, I have over 703 photographs listed for the book.

What is one saying or proverb you live by?

One of my favorite sayings is “I walk by faith and not by sight, and I trust in the Lord Jesus for everything.”

Where can our readers find out more about your work?

My work can be found by internet search(using my name, or waterfalls), Lulu.com, Amazon.com, or Barnes and Nobles book stores.


Siri Mitchell– Writer

Siri Mitchell is the author of four novels including the critically acclaimed Chateau of Echoes and Kissing Adrien. A military spouse and mother, Siri is a writer with international sensibilities. She’s spent a third of her life living in such varied places as Tokyo and Paris. She is fluent in French and currently mastering the skill of sushi making. Siri writes books for her friends about people they might know or people they might like to be. And she writes books for herself—the kind of books she’d be willing to spend all weekend reading or stay up late finishing. She has a special interest in addressing tough topics and cultural faith issues and loves the synergy that develops at the place where doubt begins to ask questions of faith.

 

What made you want to become a writer?

I just always thought that writing a book was something I should do, something I had to try. It felt like a responsibility. A burden.

 

Was the journey difficult? Any help? Any obstacles?

The journey was long! It took ten years from the time I first started writing until I sold my first book. I wrote four books in that time span and received 153 rejections from publishers and agents. The fifth book I wrote was the first one to be published. Book four was bought next and then book two. Throughout that ten year period, I tried my hardest to stop writing, but new ideas and new characters would present themselves and I had no choice but to start writing again. My husband was my greatest encouragement. He would listen to me while I ranted, hug me when I cried, and pretend to believe me when I told him I was giving it all up.

 

Any lessons learned on your writer’s journey? Be persistent. Don’t take rejection personally. Find readers who will tell you the hard truths about your writing. My first readers are always people I trust to tell me where my stories aren’t working.

 

Where does that inner drive to write come from?

A desire to create, the challenge of making the story I read on the printed page match the story I can see in my head. My goal is to make each book better than the last and I always try something new, stretch a little further, in each story I write.

 

How do you keep readers turning pages?

One of the fiction’s golden rules is ‘Never take readers where they want to go.’ When I write my books, I get to the happy ending eventually, but I take the reader on a bumpy journey first. The promise of gratification is what keeps the pages turning, in my opinion.

 

How often will you revise and re-write your work?

I write a first draft in about four months. If I can, I’ll put it aside for a month and ask several other people to read it for me. At the end of that month, I’ll pick it back up and read it through again, incorporating their suggestions and my own to complete the second draft. If I have time before my deadline, I’ll read it through a third time before I submit it. After my editor receives the manuscript, it’s read with an eye for the big picture. From that reading, I’ll receive direction on substantive or developmental edits concerning things like character development, pacing, or plot. After I fix those problems, I’ll return the manuscript and the editor will read it for a line edit. The goal of this read is to fix typos, consistency problems, and other details. These are corrections I make during my final read-through when I receive the galleys of the manuscript. At the galley stage, the pages look exactly as they will in the book, only they’re printed on normal-sized paper. I’m only allowed to change up to 10% of the manuscript at this stage and I make those changes in red pen in the margins. The next time I see the book, it’s in print!

What are some creative ways you’ve learned to generate ideas

 I’m not a plot-driven writer, I’m character-driven. In other words, the first glimmering I have that a story is ‘on the way’ is when a character begins talking to me. I can actually hear the voice inside my head. At this early stage, I may not have any idea what will happen in the story, but I know that if I listen long enough, the character will tell me. Most often I’m inspired when I travel. New surroundings seem to bring new characters to life for me.

What are some practical solutions for writer’s block?

I don’t wait for the muse. I don’t have enough time to write as it is, so I can’t afford to waste any of it. If a particular scene isn’t coming, I’ll write a different one. If a particular character isn’t speaking to me, I’ll keep badgering her, asking her questions, probing her motivations, and, if all else fails, I’ll stop asking questions and start listening to what she’s trying to tell me.

Do you have a favorite book?

 I lived, as a child, for several years in New Brunswick and Ontario, so I devoured the entire Anne of Green Gables series. In fact, if truth be known, I still read through it every couple of years. Several years ago I also read Crow Lake. I thought it was beautifully and unselfconsciously written. Possession is an all-time favorite. A.S. Byatt is a writer’s writer. She does so many different kinds of writing so beautifully and they’re all showcased in this book.

Do you have a favorite time of day when you like to write?

I write best in the mornings. In fact, due to family schedules, it’s usually the only time of day I’m able to write.

What is one saying or proverb you live by?

A quote by Stephen King: “If God gives you something you can do, why in God’s name wouldn’t you do it?” It reminds me to take my writing seriously and to put the best of myself into it.

What advice would you give kids who wish to pursue a career in writing?

 (1) Read everything you can get your hands on, both in genres you’re familiar with and those you aren’t. Every writer was first a reader. (2) Listen to everything around you; everything and everyone who speaks has a unique voice. You have to learn how to identify the voices before you can begin to imitate them. (3) Observe everything and everyone in your world – become a student of human nature. Your characters will never truly live until you understand what makes people real.

 

http://www.sirimitchell.com

 

Copyright 2005-2011, Jolene Owen. All rights reserved. This interview is free to copy, publish and circulate. You may reprint or publish it without permission in any format. Please credit: Jolene Owen as interviewer. The views expressed herein are those of the interviewees and do not necessarily reflect the interviewer or the official position of the publishing company, its various departments and/or the Institute of Interactive Journalism. If you’d like to be interviewed, or would like to send our team an interview, or just send us lots of gifts and candy, contact us at: inspiring.interviews@gmail.com.  Please do not try to contact interviewees through the institute. We never release confidential information or fwd messages. No exceptions.

 


Priscilla Howe–Storyteller

Since 1988, storyteller Priscilla Howe has entertained audiences of all ages with (almost) true stories, world folktales and stories from books, most served with a generous dollop of humor.

Young children meet her mouthy handpuppet Trixie, while Priscilla offers sophisticated stories for older audiences. A former children’s librarian, Priscilla has a gift for sizing up crowds and delivering a whopping good time.

Priscilla grew up in New England and has lived in Vermont, Belgium, Kansas, Bulgaria, New York and Connecticut in her adult life. She now lives in Lawrence, KS with her cat, Joe Fish. She travels around the US and to Europe regularly. She performs mostly in English, and is fluent in French and Bulgarian. So are her puppets.

Priscilla is also on a quest for the best restaurant pie on earth.

What made you want to become a storyteller?
The first time I told a story at a school as a children’s librarian, I had a fantastic time. I told a story I made up when I was a teenage babysitter, as well as a story by Philippa Pearce. The kids listened attentively and they clapped at the end. I was hooked!

Was the journey difficult?
Like most journeys, it has had its potholes. I was fortunate to tell stories within my job for five years before I decided to take the leap into full-time storytelling. I worked at the craft with the help of my colleagues, friends and other storytellers in the area. In 1993, I left my job to be a full-time storyteller. It was especially difficult because I moved to a different state at the same time. Being a full-time storyteller also means owning a business, which can be a real challenge. One of the hardest parts of being a full-time storyteller is marketing my work.

What were some of your favorite stories growing up? What made those stories so special?
Growing up, I loved the animal stories by Thornton Burgess, as well as contemporary books like “Harriet the Spy” and “Mrs. Piggle Wiggle.” I felt quite comfortable with the characters in books–as I read, I entered the world of the book completely. I grew up in a family of readers and to this day, when there are several of us together, we’re content to sit and read quietly together.

Is there a difference between writing a story and telling a story?
There’s a big difference between writing and telling a story. The written story somehow has to include all the shades of meaning that come out in the storyteller’s face, body and voice. I can say the same sentence in fifty different ways, but it looks the same written down. Try that: take a sentence like “We’re having chicken for dinner tonight” and say it in an angry voice, a disgusted voice, a happy voice, the voice of a toddler. Also, when I tell a story, it may come out of my mouth differently every time. It’s not memorized, but I tell you the story of the movie in my head.

What is the difference between a fable, a parable, and a fairy tale?
Fables and parables have specific lessons to teach, and they sometimes have a moral tacked on at the end. Fables often use animals as the characters to show human characteristics. Fairy tales have a magical aspect, in which humans are helped or hindered by fantastic creatures.

If you could be one character in a story who would you be and why?
If I could be anybody in a story, I’d choose the Wise Old Woman, or maybe the Renegade Princess. Both are independent thinkers, willing to take chances.

If you could have coffee with one famous storyteller who would it be and why?
I’d like to have coffee with Willy Claflin. He’s one of the funniest storytellers I’ve ever heard. I know him slightly and every time we’ve talked, we’ve had a wide-ranging (and hysterical) conversation. We use puppets in a similar way, sort of goofy and serious at the same time.  I’d love to have coffee with Anna Deveare Smith, even though she’s not strictly a storyteller in the sense that I am. She wrote an inspiring book called “Letters to a young artist”, advice to a young person embarking on a life in the arts.

What inspires you as a storyteller?
I’m inspired by other storytellers, especially those doing interesting projects. I’m also inspired by art and music and good books.

What advice would you give a storyteller faced with writer’s block?
Not every storyteller is a writer, but I find writing to be a useful tool in my workbox. When I have writer’s block, I might pull out my copy of “Wild Mind” by Natalie Goldberg for a little help. Or I take myself downtown to a coffee shop and write in my journal. Or I just declare that I’m having a day off and I don’t write at all. If that goes on too long, eventually I get bored and go back to work.

What stories are you working on presently?
Right now I’m thinking about an English folktale called “The small-tooth dog”. It’s a version of “Beauty and the Beast” that I like quite a bit. I’m also thinking about the Medieval romance “Aucassin and Nicolette”, which I’ve told a half-dozen times. I’ve been having a problem with the main character seeming too whiny. My audiences didn’t like that, so I’m working on finding a way to soften his tone. I’m also considering doing an evening of stories of the Turkish trickster Nasruddin Hodja. I always have several projects going at once, just as I’m always reading several books at once.

Advice?
Here’s the biggest rule in storytelling: only tell stories you love. If you don’t love them, your audience will know this and they won’t love the stories either.Storytelling is wonderful, but it’s not an easy career to have. I think it was storyteller Elizabeth Ellis who said, “If anything can keep you from being a full-time storyteller, let it.” That means that if you’re completely full of passion for telling stories, you’d better do it. If it’s just an interest, do it as a hobby, do it as part of another job like teaching or being a librarian. There’s great value in that. No matter what, have fun!

Where can we find out more about your work?
You can learn more about me and my work at http://priscillahowe.com/ There are even some stories to listen to on the website. I also have three CDs and a DVD, available from http://storyteller.net/

Copyright 2005-2011, Jolene Owen. All rights reserved. This interview is free to copy, publish and circulate. You may reprint or publish it without permission in any format. Please credit: Jolene Owen as interviewer. The views expressed herein are those of the interviewees and do not necessarily reflect the interviewer or the official position of the publishing company, its various departments and/or the Institute of Interactive Journalism. If you’d like to be interviewed, or would like to send our team an interview, or just send us lots of gifts and candy, contact us at: inspiring.interviews@gmail.com.  Please do not try to contact interviewees through the institute. We never release confidential information or fwd messages. No exceptions.

 


Patti Christensen–Storyteller

Patti is a professional storyteller with a rich, diverse background.  She
works in many different venues including bookstores, hospitals, museums,
Juvenile Hall, religious groups, festivals, scouting groups, senior centers,
as well as other school and social service settings. She believes in the
power of storytelling for all ages, preschoolers through Seniors, both in
listening and telling stories.  Patti is an artist in residence with the
SUAVE Program, a cultural and professional development program using the
arts to work with classroom teachers and students through Center ARTES, at
California State University at San Marcos, and was the Families for Literacy
coordinator for the Escondido Public Library Literacy Program.

Her BA in History taught her the magic of “making history come alive”. She
has Masters of Theology and Masters of Social Work degrees, which make her
uniquely qualified for work in different settings using story to speak to
important value issues.  Patti is also a founding member of The Patchwork
Players Story Theatre. Recent performances have included the J. Paul Getty,
San Diego Museum of Art and LEGOLAND California

 

What made you want to become a storyteller?

I always loved stories.  I grew up with a dad who was a storyteller as well
as read books to all four of us kids every night until I was in 8th grade.
We covered a lot of ground during all those years of stories.

The first time I saw professional storytellers I thought, “Wow, that looks
like fun.”  Then, I was asked to be part of a Girl Scouting event where
women in the community researched and then dressed up like a historical
woman and told her story.  I chose Louisa May Alcott, the author of Little
Women.  I had such a fun time telling her story.  Then the director of the
county historical society asked if I would be the speaker at a Women’s
History month event, and she would pay me $50.  I said, “Yes!” and was
hooked.  I knew I would become a real storyteller.
Was the journey difficult?

Any journey has its difficult and its fun times.  The hard parts early on
were learning new stories.  At first I thought I had to memorize them word
for word.  This is very hard and takes a long time.  Then I learned that
storytellers actually just learn what the events are, in what order did
things happen, and then tell it their own way.  This was so much easier.

I had a lot of help, including many great storytelling teachers and friends.
Most storytellers go to a lot of classes, trainings, and workshops as well
as read a LOT of books an listen to others tell stories.

A storyteller named Papa Joe says, “If you want to be a storyteller, tell
stories.  If you want to be a great storyteller, tell a lot of stories.”  I
really got a lot better when I was in charge of a preschool storytelling
program at a local bookstore every week for a couple of years.  I had to
learn a lot of stories because many of the families came back over and over.
That gave me a lot of confidence, and taught me how to learn stories fast.
What were some of your favorite stories growing up? What made those stories
so special?

I loved many stories.  One that my dad told over and over (and still tells
to this day) is Br’er  (Brother) Rabbit and the Tar Baby.  That story is so
funny, and it teaches an important lesson about never giving up, even when
you are in a really difficult position.  You may still be able to use your
brain and get yourself out of it.

I also really grew up on a lot of classic European stories like: the
Gingerbread Man, little Red Ridding Hood and the Three Little Pigs.  Last
summer, I was able to make digital recordings of me and some of my nieces
and nephews telling those stories together, from our hearts.  It is so
satisfying knowing that another generation of kids in my family is getting a
chance to know those stories that I grew up with.

I was recommend that families try telling some of those old stories that
they have read so many times…to put down the book and say them from memory.
This is so much fun and kids of all ages can be involved if the adults help
them remember what comes next.

I also loved hearing Christmas stories as a child.  Now, at Christmas time I
get to dress up as Mrs. Santa and tell stories to children.  This is such a
joy for me.   Mrs. Santa is an unsung hero.
Is there a difference between writing a story and telling a story?

Yes, many of the stories that I tell I also write down or made up in the
first place. The way that we write and we talk sounds really different.
Sometimes stories that are written down are not very “tellable”, they might
have so many details and descriptions that aren’t that interesting to hear
out loud.  And sometimes when you try to write down something that is really
clear when you say it, it sounds not very good in writing.

I enjoy doing both and know that most storytellers also work on their
writing skills, too.
What is the difference between a fable, a parable, and a fairy tale?

There are ever so many different types of stories.  You mentioned just
three.  A fable is a short story, often with the characters being animals.
The story has a moral or a lesson at the end.  A man named Aesop in Ancient
Greece developed the most famous fables.

A parable is also a usually short story that teaches a lesson.  Many times
these stories might be religious or spiritual in nature. There are many
parables that are in the bible that were told by Jesus.

Fairy tales are stories that often have some type of magical component to
them.  They often include settings such as a kingdom long ago and far away.
The characters are also often royal (such as kings, queens, princesses,
princes and knights) as well as magical (such as witches, fairies or
wizards).

There are also many other types of stories such as biography, ghost stories,
folktales, literary stories.
If you could be one character in a story who would you be and why?

There are so many characters that I would love to be.  I ALWAYS love getting
a chance to play princesses in stories.  Left over from liking dress up as a
kid.  I would like to spend some time actually being one of those
princesses, at least for a while.  Servants and getting my way sound like
fun.
What inspires you as a storyteller?

I am always inspired by the powerful stories that people share with me,
especially true life tales.

One of my most satisfying jobs as a storyteller is working on staff as a
storyteller at a children’s hospital.  Every Friday I go with my
storytelling partner and tell stories to the children there.  Many of those
children have very difficult health and life circumstances that they have to
cope with.  I feel very honored when I can go and hear their stories as well
as share some of my own. Storytelling is very healing, as important as
medicine and surgery.  I love being part of that healing process.
What advice would you give a storyteller faced with writer’s block?

My storytelling teacher Doug Lippman offers this advice, that you sometimes
need a safe person to listen a story out of you.  If you are really stuck
and don’t know where to go with a story, sit with a good listener and just
start taking.  There is magic in having a delighted listener just allow you
to explore.  This works very, very well.
What stories are you working on presently?

I am also working on learning new true stories about the state that I live
in, California.  I am also working on special stories about my dad and my
husband’s dad.

Because it is just about Halloween, I am also working on learning some new
scar and not too scary stories for that spooky time of year.

Advice?

When I was a kid, my report card often said, “Patti is a little to social.
Patti talks too much to her neighbors.”  Boy, wouldn’t those teachers be
surprised to find out that I now get paid to talk!

If you want to be a storyteller, you must read a lot of books.  Read, read,
read.

You can also listen to a number of stories and storytellers on-line.  A
great website to go to that has a bunch of stories (including some of mine)
is www.storyteller.net.  Listen to others telling stories will give you
ideas for what stories you would like to tell.

You can look at my websites:  www.pattistory.com  and www.patchworkplayers.com and
www.myspace.com/pattipanchita

These include a lot of photos, stories and information about my storytelling
work alone and with storytelling partners, James Nelson-Lucas, and Spanish
speaking friend, Panchita Acevedo.  Storytelling is so much fun, and there
is always a new story to learn or tell.
Copyright 2005-2011, Jolene Owen. All rights reserved. This interview is free to copy, publish and circulate. You may reprint or publish it without permission in any format. Please credit: Jolene Owen as interviewer. The views expressed herein are those of the interviewees and do not necessarily reflect the interviewer or the official position of the publishing company, its various departments and/or the Institute of Interactive Journalism. If you’d like to be interviewed, or would like to send our team an interview, or just send us lots of gifts and candy, contact us at: inspiring.interviews@gmail.com.  Please do not try to contact interviewees through the institute. We never release confidential information or fwd messages. No exceptions.


Michele Lang–Writer

 

Michele Lang writes paranormal tales set in contemporary, urban settings:  the stories of witches, lawyers, goddesses, bankers, demons, and other magical creatures hidden in plain sight.  In addition to writing fiction, she has practiced the unholy craft of litigation in both Connecticut and New York.

As a lawyer, Michele founded and directed Project Dandelion, a program dedicated to helping women to escape poverty and achieve self-sufficiency.  Project Dandelion, created in 1992, helps women and their families by offering workshops, one on one consultations, written materials, and legal advocacy.

Michele lives with her family in the village of Sea Cliff, NY.  Ms. Pendragon is her first novel.

What made you want to become a writer?

Books.  I’ve been a fanatic reader since I was two years old, and even when I’m not reading, stories tell themselves in my head.  Books are the most magical objects I know…think of it!  Someone who’s been dead for hundreds of years can speak directly to you through his or her words, and you can complete their story simply by reading it.  Writing fiction is the greatest job in the world.

But it goes deeper than that.  I believe with all my heart that we are here for a reason.  Part of why I am alive is to help other people to rev their own creative engines and get them excited about their own missions in life.  As a lawyer, I helped women to find their way through the legal system and out of dangerous situations.  As a writer, my work is designed to amuse, inspire, and liberate people from the more deadening aspects of daily life. My books celebrate the power of dreams to change the world.

Was the journey difficult? Any help? Any obstacles?

My primary obstacle was fear.  And my greatest fear was that I wasn’t good enough to write the stories down as I heard and saw them in my mind.  I also feared that I didn’t have the right to tell my own stories at all.  I had to learn to believe in myself, trust my talent.  Once I accepted the fact that my job was to tell the stories, not judge how good or bad they are, I could get out of my own way and write them.

My sixth grade teacher, Mr. Brady, helped me a lot.  He called my parents into school to tell them I was the best writer he’d ever taught.  His encouragement gave me permission to become a writer.  Writers don’t need someone else to tell them they can write.  But Mr. Brady’s belief in me meant so much.

 Any lessons learned on your writer’s journey?

It’s never too late to have a happy childhood. If you love something and it makes you wildly happy to do it, believe you are meant to do that very thing, and give yourself the time and permission to do it right.  You deserve it!  And for all you know, someone out there needs you to do it, too.

Where does that inner drive to write come from?

Sometimes it’s a whisper, sometimes a roar, but that inner voice keeps on telling the stories.  If I don’t write them down, I start to go a little crazy.

How do you keep readers turning pages?

Most people learn and grow as a result of surviving their worst nightmares.  When a reader cares about a character and their troubles, they will keep reading to find out how they make it through the train wrecks and disasters. I love all my characters, especially my villains.  But I’m terribly hard on them.

How often will you revise and re-write your work?

It depends on the needs of the story.  My first draft comes at a white heat, and I’m careful not to go back and edit what I write as I’m getting that first draft down on paper.  After I let the rough manuscript sit for awhile, I go back and do a hard edit.  Sometimes I edit so hard that I end up rewriting huge chunks of the story.  But once I do that hard edit, the toughest part is over.  I do a light polish to make sure the manuscript shines before I send it off to my editor.  After my editor takes a look, I sometimes do another hard edit…but it’s never as extensive as the first one.

 What are some creative ways you’ve learned to generate ideas?

I love transmuting the affairs of the world into fiction.  What in society infuriates you?  Drives you to despair?  Makes you laugh for joy?  Take those passions, those struggles, and put them in a fictional place, give these problems to fictional characters to grapple with.   For example, like many people I find myself obsessed with the threat of terrorism.  I take my desolation and my hopes and churn them into my stories.

I also mine ancient legends, like those of Robin Hood, King Arthur, or the Greek gods.  What would those characters do in a different setting?  With different enemies?  I’ll interview characters and legendary figures to get answers to these questions, and before I know it, they’re telling me their story.

What are some practical solutions for writer’s block?

Deadlines.  Get some – if you can’t get a publishing contract that forces you to write, find a writer’s group that can give you an outside deadline to meet.  I find that writing fast shuts down the inner censor because I don’t have time to listen to it.

Also, try to write something every day, even if only a sentence.  It keeps you in contact with that inner voice, the stream of stories that keeps flowing under the surface.

 Do you have a favorite book?

I love so many books — I can’t pick a favorite.  I will say that I loved reading Watership Down by Richard Adams. I first read it when I was twelve, and I read it over and over again. I loved the quest in that book, the loyalties of the characters, the deep struggles they all fought to survive.

Do you have a favorite time of day when you like to write?

The early morning.  I’m all alone, the outside world is quiet, and afterwards, I can enjoy the rest of my day knowing that I got to write first.

 What is one saying or proverb you live by?

Never give up on your dreams.  Eleanor Roosevelt once said, “The future belongs to those who believe in the beauty of their dreams,” and I think she was right.

Advice?

Read everything you can get your hands on.  And write.  For so long I aspired to write. I dreamed of writing, read voraciously, wrote long journal entries about writing.  It was all good, but at some point, you need to stop analyzing and dreaming, and commit.  Embrace the inevitable dreck of your early efforts, and despite the dreck, believe.  Have faith in your ability to improve and have the humility to admit how much you have to learn.  Your love for words will take you everywhere you need to go.  Please don’t wait any longer to get started.

Don’t be afraid of the day job.  I could never have become a writer if I hadn’t practiced as a lawyer first – I learned about human nature, and how to finish what I start.  Find a job that stretches you and brings you in contact with a lot of people, if your temperament suits you to that kind of job.  Give yourself time to get good at that job, and to make friends with people who aren’t writers.  The more deeply you live your life and love the people in your life, the more material you will have to write about.

If you write in genre fiction, do yourself a huge favor and join a local or national writers’ group like Romance Writers of America.  I’ve learned about the business of writing from generous writers who’ve shared so much knowledge with me.  If you can’t afford to join, haunt the blogs of your favorite authors and learn from them.  But please don’t stop yourself from writing while you learn, because the best way to learn is to set yourself free and write.

 

Where can we find out more about your work?

 

For excerpts, contests and more, please visit my website:  www.michelelang.com

 

I also give talks at libraries, reading groups, and schools.  Please contact me at Michele@michelelang.com regarding interviews or speaking engagements.

 

Finally, my first novel, Ms. Pendragon, comes out this month in paperback.  You can find it at your local book store or on Amazon.com

 

 

 


Lynn Flewelling– Writer

Lynn Flewelling was born in 1958 and grew up in Presque Isle, a small town in northern Maine, not far from the New Brunswick border, and often crossed over to visit relatives in southern Canada, and to vacation there. (She’s a quarter Canadian, on her dad’s side.) An “Anne of Green Gables” fan, she has very fond memories of Prince Edward Island. She also watched a lot of Canadian TV and knows Mr. Dressup, the Beachcombers, Junior Forest Rangers, and the Friendly Giant as well as she does US childhood icons.

She grew up playing in the woods, hunting, fishing, camping and daydreaming. Many scenes and people in her books are based on these early experiences. Later she went to university and earn a degree in English literature and teaching, studied veterinary medicine and did all sorts of different jobs, including house painter, teacher, and journalist, but what she really wanted was to be a writer.  But in her part of the world being a writer wasn’t considered a “realistic” goal and so she tried to be a teacher instead. But some dreams just don’t let go, so she wrote anyway and at last became a newspaper writer, and then a novelist.

Her first novel, Luck in the Shadows, was published in the US in 1995. Stalking Darkness and Traitor’s Moon soon followed in what has become the ongoing Nightrunner Series.  More recently she has completed the Tamir Triad: The Bone Doll’s Twin, Hidden Warrior, and The Oracle’s Queen.  In her books she likes to pose questions about identity, and what it means to be male and female, strong and weak, good and bad. The answers aren’t always easy, or happy.

Her books have found an audience worldwide and are currently in print in thirteen languages, including Russian and Japanese. She recently moved to southern California and is now working on two new Nightrunner books. She enjoys talking to young writers and all creative people.

 

What made you want to become a writer?

I was always a reader, but when I was in sixth grade a friend gave me Ray Bradbury’s book, The Illustrated Man, and I was blown away by his rich, evocative style. Something clicked in my mind and I suddenly thought “I want to do that!”  I was a kid who loved to play “let’s pretend” too. I guess writing is a way of doing that all the time.

 

Was the journey difficult? 

Writing wasn’t considered a realistic goal where I grew up. Writing was something other people in other places did. I should think in terms of a “real job”. And in the early ’70’s in northern man, a girl who was really good a writing was encouraged to be a teacher. I didn’t know any better so I tried that, but by the time I was done student teaching in college, I knew it wasn’t for me. I was already writing short stories by then.  I didn’t have much direction though, and still thought writing wasn’t a realistic way to make a living, so I tried other things, like ad copy-writing and veterinary school, but writing kept getting in the way and distracting me. After a while I just gave in and started doing it seriously, but still with no expectation of ever getting published. I had been working on the manuscript that would eventually become Luck in the Shadows and Stalking Darkness when by chance I took a writing workshop with a writer I really admired, Cathy Pelletier. She’s from northern Maine, too, and is simply amazing. I  was rather shy, since I write fantasy, which many literary writers look down their nose at, and she wrote more “serious” books. But she loved my work! It really changed my perspective and gave me the confidence to pursue publishing. I owe her a lot, and the only thing she ever asked of me in return was to pass on that kind of support to other young writers. I’ve always tried to do that.

When I finally finished what I thought was my first book (after about ten years of writing and rewriting) I had to learn how to sell a book, a whole separate skill in itself. That was a learning experience, and one I have since written articles about. Ultimately, I got good advice along the way, connected with a very good literary agent, and the rest, as they say, is history. I’ve been a full time writer since 1995.

Any lessons learned on your writer’s journey?

Many, many lessons! You have to be confident in yourself, but you also have to be open to learning from those who know more than you do. You have to be willing to do the hard work it takes to become good at your craft, and you have to be able to weather criticism without being destroyed by it.

 

Where does that inner drive to write come from?

I  honestly don’t know. It’s just always been there and I’m lucky that I learned how to harness it and work with it. I have a natural drive to create, but unfortunately cannot draw or paint very well, and I’m too self conscious to be an actress

. Instead, I have to do it with words on a page.

 

How do you keep readers turning pages?

The short answer is, I tell a good story. You have to first create characters that readers care about. They don’t necessarily have to be nice people, but they have to be interesting, and they have to change and grow as the story goes on. There have to be events that challenge them. There has to be some sort of journey, literally or figuratively, for them to lead the reader along. By the end of the book, both reader and characters must be changed in some way.  There are just so many different ways of doing this! I use mystery, dramatic tension, humor, horror–lots of different devices, but all of them must serve to move the story forward and aide in the tale to be told. You can’t just throw things in for shock value. That’s a cheat and the reader will catch on and not like it.

 

How often will you revise and re-write your work?

Many, many, many, many times. That first draft is just that: a first draft. A place to begin. I hate first drafts myself. It’s hard, getting the plot hammered out. But once I’ve gotten the main structure of the story in place, the bones, it’s fun to go back and add on details, changes, foreshadowings, all the fun, fiddley bits that really make it come alive.

 

What are some creative ways you’ve learned to generate ideas?

I daydream. And when I get the first inspiration for a new project, I buy a pretty new notebook, a really nice one that “feels” right for the project, and write down every new idea that comes to me. Inspiration comes from living life. Everything that’s every happened to me, everything I’ve ever read or seen on TV or in a movie or out a train window– it all goes into the great subconscious brain we writer’s draw from. When I show up at the page to work, very often scenes come shooting out my fingertips that I never anticipated or planned. It just happens as you work and trust.

 

What are some practical solutions for writer’s block?

That’s a tough question. Some writers never get writers block. I do, and sometimes it can get pretty bad. There are so many reasons, and so many degrees that it would be impossible to give a short answer to that. But here are a few suggestions. Sometimes you’re trying to push the story in the wrong direction. Step back in ask yourself if the reason the scene won’t come is because it’s just wrong.   Sometimes the brain is tired and needs a rest. Go do something else. Take a walk. Go shopping. Watch a movie. Make something. Use a different part of the brain, one that doesn’t have to generate words. I find photography very refreshing.  The worst case, is when you’re fearful of doing it wrong. That takes work and understanding.   If possible, set small, attainable work goals. Show up at the page. Write a little bit, anything, and give yourself permission for it to be complete and utter crap, just so long as you show up to work.

 

Do you have a favorite book?

Oh, I  have lots, but the Sherlock Holmes stories are high on the list. I have read them many times, so the mysteries are not an element anymore, but I love the characters. There’s quite a bit of Sherlock Holmes in my hero, Seregil.

 

Do you have a favorite time of day when you like to write?

My brain often works best between 2 and 6 p.m.. I have no idea why.

 

What is one saying or proverb you live by?

“Respect the dignity of every human being.”

 

What advice would you give kids who wish to pursue a career in writing?

1. Read, read, read, and read some more! Novels, short stories, plays, especially the sort of literature you want to write. And as you do, ask yourself things like  “How is this writer capturing my interest?” or “Why don’t I like this story?”  Reading does many things. It shows you how writing works. I learned a lot about creating characters from people like Conan Doyle, Tolkien, Anne Rice, Robertson Davies, John Steinbeck, and Dostoyevsky. I learned about dramatic tension from Stephen King, Henry James, Joyce Carol Oates and Shirley Jackson. I learned about atmosphere from writers like Bram Stoker, Ray Bradbury, and William Faulkner. Those are just a few examples, but it gives you an idea of  how diverse my reading tastes are. That’s important.  You shouldn’t read just one kind of literature, any more than you should eat only one kind of food. Fish may be very  healthy, but you won’t live long eating only fish! Variety is the spice of life, and creative people thrive on variety and diversity and change. Life is our scrapbook and the more we experience, the more we have to draw on for our work.

2. Know your tools.   Grammar, spelling, parts of speech, vocabulary? Boring! Yeah, I know. But those are the tools of a writer’s trade and you have to know them so well that you can use them without even thinking about them. It’s just like playing a musical instrument or driving a car. It takes a lot of practice but after a while it becomes instinctive.

3. Write. Write without expectation, too. Your early work will most likely be terrible. Everyone’s is! But you don’t get better by waiting to be good. You have to write and write and write, practice, practice, practice, to improve. Don’t worry about publishing. Just worry about become a good writer and the rest will come in time.

4. Write what you love. Writing is hard work, especially for those of us who do it for a living, on deadline. If you don’t like what you’re doing, it’s misery. Explore what you love and do that. It might be short fiction, or essays, or ad copy, or science fiction, comics, or gritty political satire. Doesn’t matter. If you love it, do it!  Follow your bliss. I can’t promise you riches, but you’re more likely to find personal satisfaction.

Where can parents and kids find out more about your work?

www.sff.net/people/Lynn.Flewelling
http://en.wikipedia.org/wiki/Lynn_Flewelling

 

 

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